When I was five, I had an experience that marked me for life. Pathé News sent a photographer from New York to Savannah to take a picture of a chicken of mine. This chicken, a buff Cochin Bantam, had the distinction of being able to walk either forward or backward. Her fame has spread through the press and by the time she reached the attention of Pathé News, I suppose there was nowhere left for her to go—forward or backward. Shortly after that she died, as now seems fitting.
If I put this information in the beginning of an article on peacocks, it is because I am always being asked why I raise them, and I have no short or reasonable answer.
From that day with the Pathé man I began to collect chickens. What had been only a mild interest became a passion, a quest. I had to have more and more chickens. I favored those with one green eye and one orange or with over-long necks and crooked combs. I wanted one with three legs or three wings but nothing in that line turned up. I pondered over the picture in Robert Ripley’s book, Believe It Or Not, of a rooster that had survived for thirty days without his head; but I did not have a scientific temperament . I could sew in a fashion and I began to make clothes for chickens. A gray bantam named Colonel Eggbert wore a white piqué coat with a lace collar and two buttons in the back. Apparently Pathé News never heard of any of these other chickens of mine; it never sent another photographer.
My quest, whatever it was actually for, ended with peacocks. Instinct, not knowledge, led me to them. I had never seen or heard one. Although I had a pen of pheasants and a pen of quail, a flock of turkeys, seventeen geese, a tribe of mallard ducks, three Japanese silky bantams, two Polish Crested ones, and several chickens of a cross between these last and the Rhode Island Red, I felt a lack. I knew that the peacock had been the bird of Hera, the wife of Zeus, but since that time it had probably come down in the world—the Florida Market Bulletin advertised three-year-old peafowl at sixty-five dollars a pair. I had been quietly reading these ads for some years when one day, seized, I circled an ad in the Bulletin and passed it to my mother. The ad was for a peacock and hen with four seven-week-old peabiddies. “I’m going to order me those,” I said.
My mother read the ad. “Don’t those things eat flowers?” she asked.
“They’ll eat Startena like the rest of them,” I said.
The peafowl arrived by railway express from Eustis, Florida, on a mild day in October. When my mother and I arrived at the station, the crate was on the platform and from one end of it protruded a long royal-blue neck and crested head. A white line above and below each eye gave the investigating head an expression of alert composure. I wondered if this bird, accustomed to parade about in a Florida orange grove, would readily adjust himself to a Georgia dairy farm. I jumped out of the car and bounded forward. The head withdrew.
At home we uncrated the party in a pen with a top on it. The man who sold me the birds had written that I should keep them penned up for a week or ten days and then let them out at dusk at the spot where I waded them to roost; thereafter, they would return every night to the same roosting place. He had also warned me that the cock would not have his full complement of tail feathers when he arrived; the peacock sheds his tail in late summer and does not regain it fully until after Christmas.
As soon as the birds were out of the crate, I sat down on it and began to look at them. I have been looking at them even since, from one station or another, and always with the same awe as on that first occasion; though I have always, I feel, been able to keep a balanced view and an impartial attitude. The peacock I had bought had nothing whatsoever,in the way of a tail, but he carried himself as if he not only had a train behind hint but a retinue to attend it. On that first occasion, my problem was so greatly what to look at first that my gaze moved constantly from the cock to the hen to the four young peachickens, while they, except that they gave me as wide a berth as possible, did nothing to indicate they knew I was in the pen.
Over the years their attitude toward me has not grown more generous. If I appear with food, they condescend, when no other way can be found, to eat it from my hand; if I appear without food, I am just another object. If I refer to them as “my” peafowl, the pronoun is legal, nothing more. I am the menial, at the beck and squawk of any feathered worthy who wants service. When I first uncrated these birds, in my frenzy I said, “I want so many of them that every time I go out the door I’ll run into one.” Now every time I go out the door, four or five run into me—and give me only the faintest recognition. Nine years have passed since my first peafowl arrived. I have forty beaks to feed. Necessity is the mother of several other things besides invention.
For a chicken that grows up to have such exceptional good looks, the pea cock starts life with an inauspicious appearance. The peabiddy is the color of those large objectionable moths that flutter about light bulbs on summer nights. Its only distinguished features are its eyes, a luminous gray, and a brown crest which begins to sprout front the back of its head when it is ten days old. This looks at first like a bug’s. antennae and later like the head feathers of an Indian. In six weeks green flecks appear in its neck, and in a few more weeks a cock can be distinguished from a hen by the speckles on his back. The hen’s back gradually fades to an even gray and her appearance becomes shortly what it will always be. I have never thought the peahen unattractive, even though she lacks a long tail and any significant decoration. I have even once or twice thought her more attractive than the cock, more subtle and refined; but these moments of boldness pass.
The cock’s plumage requires two years to attain its pattern, and for the rest of his life this chicken will act as though he designed it himself. For his first two years he might have been put together out of a rag bag by an unimaginative hand. During his first year he has a buff breast, a speckled back, a green neck like his mother’s and a short gray tail. During his second year he has a black breast, his sire’s blue neck, a back which is slowly turning the green and gold it will remain; but still no long tail. In his third year he reaches his majority and acquires his tail. For the rest of his life—and a peachicken may live to be thirty-five—he will have nothing better to do than manicure it, furl and unfurl it, dance forward and backward with it spread, scream when it is stepped upon and arch it carefully when he steps through a puddle.
Not every part of the peacock is striking to look at, even when he is full-grown. His upper wing feathers are a striated black and white and might have been borrowed from a Barred Rock Fryer; his end wing feathers are the color of clay; his legs are long, thin and iron-colored; his feet are big; and he appears to be wearing the short pants now so much in favor with playboys in the summer. These extend downward, buff-colored and sleek, from what might be a blue-black waistcoat. One would not be disturbed to find a watch chain hanging from this, but none does. Analyzing the appearance of the peacock as he stands with his tail folded, I find the parts incommensurate with the whole. The fact is that with his tail folded, nothing but his bearing saves this bird from being a laughingstock. With his tail spread, he inspires a range of emotions, but I have yet to hear laughter.
The usual reaction is silence, at least for a time. The cock opens his tail by shaking himself violently until it is gradually lifted in an arch around him. Then, before anyone has had a chance to see it, he swings around so that his back faces the spectator. This has been taken by some to be insult and by others whimsey. I suggest it means only that the peacock is equally well satisfied with either view of himself. Since I have been keeping peafowl, I have been visited at least once a year by first-grade school children, who learn by living. I am used to hearing this group chorus as the peacock swings around, “Oh, look at his underwear!” This “underwear” is a stiff gray tail, raised to support the larger one, and beneath it a puff of black feathers that would be suitable for some really regal woman—a Cleopatra or a Clytemnestra—to use to powder her nose.
When the peacock has presented his back, the spectator will usually begin to walk around him to get a front view; but the peacock will continue to turn so that no front view is possible. The thing to do then is to stand still and wait until it pleases him to turn. When it suits him, the peacock will face you. Then you will see in a green-bronze arch around him a galaxy of gazing haloed suns. This is the moment when most people are silent.
“Amen! Amen!” an old Negro woman once cried when this happened and I have heard many similar remarks at this moment that show the inadequacy of human speech. Some people whistle; a few, for once, are silent. A truck driver who was driving up with a load of hay and found a peacock turning before him in the middle of our road shouted, “Get a load of that bastard!” and braked his truck to a shattering halt. I have never known a strutting peacock to budge a fraction of an inch for truck or tractor or automobile. It is up to the vehicle to get out of the way. No peafowl of mine has ever been run over, though one year one of them lost a foot in the mowing machine.
Many people, I have found, are congenitally unable to appreciate the sight of a peacock. Once or twice I have been asked what the peacock is “good for”—a question which gets no answer from me because it deserves none. The telephone company sent a lineman out one day to repair our telephone. After the job was finished, the man, a large fellow with a suspicious expression half hidden by a yellow helmet, continued to idle about, trying to coax a cock that had been watching him to strut. He wished to add this experience to a large number of others he had apparently had. “Come on now, bud,” he said, “get the show on the road, upsy-daisy, come on now, snap it up, snap it up.”
The peacock, of course, paid no attention to this.
“What ails him?” the man asked.
“Nothing ails him,” I said. “He’ll put it up terreckly. All you have to do is wait.”
The man trailed about after the cock for another fifteen minutes or so; then, in disgust, he got back in his truck and started off. The bird shook himself and his tail rose around him.
“He’s doing it!” I screamed. “Hey, wait! He’s doing it!”
The man swerved the truck back around again just as the cock turned and faced him with the spread tail. The display was perfect. The bird turned slightly to the right and the little planets above him were hung in bronze, then he turned slightly to the left and they were hung in green. I went up to the truck to see how the man was affected by the sight.
He was staring at the peacock with rigid concentration, as if he were trying to read fine print at a distance. In a second the cock lowered his tail and stalked off.
“Well, what did you think of that?” I asked.
“Never saw such long ugly legs,” the man said. “I bet that rascal could outrun a bus.”
Some people are genuinely affected by the sight of a peacock, even with his tail lowered, but do not care to admit it; others appear to be incensed by it. Perhaps they have the suspicion that the bird has formed some unfavorable opinion of them. The peacock himself is a careful and dignified investigator. Visitors to our place, instead of being barked at by dogs rushing from under the porch, are squalled at by peacocks whose blue necks and crested heads pop up from behind tufts of grass, peer out of bushes and crane downward from the roof of the house, where the bird has flown, perhaps for the view. One of mine stepped from under the shrubbery one day and came forward to inspect a earful of people who had driven up to buy a calf. An old man and five or six white-haired, barefooted children were piling out the back of the automobile as the bird approached. Catching sight of him, the children stopped in their tracks and stared, plainly hacked to find this superior figure blocking their path. There was silence as the bird regarded them, his head drawn back at its most majestic angle, his folded train glittering behind him in the sunlight.
“Whut is thet thang?” one of the small boys asked finally in a sullen voice.
The old man had got out of the car and was gazing at the peacock with an astounded look of recognition. “I ain’t seen one of them since my granddaddy’s day,” he said, respectfully removing his hat. “Folks used to have ‘em, but they don’t no more.”
“Whut is it?” the child asked again in the same tone he had used before.
“Churren,” the old man said, “that’s the king of the birds!”
The children received this information in silence. After a minute they climbed back into the car and continued from there to stare at the peacock, their expressions annoyed, as if they disliked catching the old man in the truth.
The peacock does most of his serious strutting in the spring and summer when he has a full tail to do it with. Usually he begins shortly after breakfast, struts for several hours, desists in the heat of the day and begins again in the late afternoon. Each cock has a favorite station where he performs every day in the hope of attracting some passing hen; but if I have found anyone indifferent to the peacock’s display, besides the telephone lineman, it is the peahen. She seldom casts an eye at it. The cock, his tail raised in a shimmering arch around him, will turn this way and that, and with his clay-colored wing feathers touching the ground, will dance forward and backward, his neck curved, his beak parted, his eyes glittering. Meanwhile the hen goes about her business, diligently searching the ground as if any bug in the grass were of more importance than the unfurled map of the universe which floats nearby.
Some people have the notion that only the cock spreads his tail and that he does it only when the hen is present. This is not so. A peafowl only a few hours hatched will raise what tail he has—it will be about the size of a thumbnail—and will strut and turn and back and bow exactly as if he were three years old and had some reason to be doing it. The hens will raise their tails when they see an object on the ground which alarms them, or sometimes when they have nothing better to do and the air is brisk. Brisk air goes at once to the peafowl’s head and inclines him to be sportive. A group of birds will dance together or four or five will chase one another around a bush or tree. Sometimes one will chase himself, end his frenzy with a spirited leap into the air and then stalk off as if he had never been involved in the spectacle.
Frequently the cock combines the lifting of his tail with the raising of his voice. He appears to receive through his feet some shock from the center of the earth, which travels upward through him and is released: Eee-ooo-ii! Eee-ooo-ii! To the melancholy this sound is melancholy and to the hysterical it is hysterical. To me it has always sounded like a cheer for an invisible parade.
The hen is not given to these outbursts. She makes a noise like a mule’s bray—hehaw, heehaaw, aa-aaww-w—and makes it only when necessary. In the fall and winter, peafowl are usually silent unless some racket disturbs them; but in the spring and summer, at short intervals during the day and night, the cock, lowering his neck and throwing back his head, will give out with seven or eight screams in succession as if this message were the one on earth which needed most urgently to be heard.
At night these calls take on a minor key and the air for miles around is charged with them. It has been a long time since I let my first peafowl out at dusk to roost in the cedar trees behind the house. Now fifteen or twenty still roost there; but the original old cock from Eustis, Florida, stations himself on top of the barn, the bird who lost his foot in the mowing machine sits on a flat shed near the horse stall, there are others in the trees by the pond, several in the oaks at the side of the house and one that cannot be dissuaded from roosting on the water tower. From all these stations calls and answers echo through the night. The peacock perhaps has violent dreams. Often he wakes and screams, “Help! Help!” and then from the pond and the barn and the trees around the house a chorus of adjuration begins:
The restless sleeper may wonder if he wakes or dreams.
It is hard to tell the truth about this bird. The habits of any peachicken left to himself would hardly be noticeable, but multiplied by forty, they become a situation. I was correct that my peachickens would all eat Startena; they also eat everything else. Particularly they eat flowers. My mother’s fears were all borne out. Peacocks not only eat flowers, they eat them systematically, beginning at the head of a row and going down it. If they are not hungry, they will pick the flower anyway, if it is attractive, and let it drop. For general eating they prefer chrysanthemums and roses. When they are not eating flowers, they enjoy sitting on top of them, and where the peacock sits he will eventually fashion a dusting hole. Any chicken’s dusting hole is out of place in a flower bed, but the peafowl’s hole, being the size of a small crater, is more so. When he dusts he all but obliterates the sight of himself with sand. Usually when someone arrives at full gallop with the leveled broom, he can see nothing through the cloud of dirt and flying flowers but a few green feathers and a beady, pleasure-taking eye.
From the beginning, relations between these birds and my mother were strained. She was forced, at first, to get up early in the morning and go out with her clippers to reach the Lady Bankshire and the Herbert Hoover roses before some peafowl had breakfasted upon them; now she has halfway solved her problem by erecting hundreds of feet of twenty-four-inch-high wire to fence the flower beds. She contends that peachickens do not have sense enough to jump over a low fence. “If it were a high wire,” she says, “they would jump onto it and over, but they don’t have sense enough to jump over a low wire.”
It is useless to argue with her on this matter. “It’s not a challenge,” I say to her; but she has made up her mind.
In addition to eating flowers, peafowl also eat fruit, a habit which has created a lack of cordiality toward them on the part of my uncle, who had the fig trees planted about the place because he has an appetite for figs himself. “Get that scoundrel out of that fig bush!” he will roar, rising from his chair at the sound of a limb breaking, and someone will have to be dispatched with a broom to the fig trees.
Peafowl also enjoy flying into barn lofts and eating peanuts off peanut hay; this has not endeared them to our dairyman. And as they have a taste for fresh garden vegetables, they have often run afoul of the dairyman’s wife.
The peacock likes to sit on gates or fence posts and allow his tail to hang down. A peacock on a fence post is a superb sight. Six or seven peacocks on a gate are beyond description; but it is not very good for the gate. Our fence posts tend to lean in one direction or another and all our gates open diagonally.
In short, I am the only person on the place who is willing to underwrite, with something more than tolerance, the presence of peafowl. In return, I am blessed with their rapid multiplication. The population figure I give out is forty, but for some time now I have not felt it wise to take a census. I had been told before I bought my birds that peafowl are difficult to raise. It is not so, alas. In May the peahen finds a nest in some fence corner and lays five or six large buff-colored eggs. Once a day, thereafter, she gives an abrupt hee-haa-awww ! and shoots like a rocket from her nest. Then for half an hour, her neck ruffled and stretched forward, she parades around the premises, announcing what she is about. I listen with mixed emotions.
In twenty-eight days the hen comes off with five or six mothlike murmuring peachicks. The cock ignores these unless one gets under his feet (then he pecks it over the head until it gets elsewhere), but the hen is a watchful mother and every year a good many of the young survive. Those that withstand illnesses and predators (the hawk, the fox and the opossum) over the winter seem impossible to destroy, except by violence.
A man selling fence posts tarried at our place one day and told me that he had once had eighty peafowl on his farm. He cast a nervous eye at two of mine standing nearby. “In the spring, we couldn’t hear ourselves think,” he said. “As soon as you lifted your voice, they lifted their’n, if not before. All our fence posts wobbled. In the summer they ate all the tomatoes off the vines. Scuppernongs went the same way. My wife said she raised her flowers for herself and she was not going to have them eat up by a chicken no matter how long his tail was. And in the fall they shed them feathers all over the place anyway and it was a job to clean up. My old grandmother was living with us then and she was eighty-five. She said, “Either they go, or I go.’”
“Who went?” I asked.
“We still got twenty of them in the freezer,” he said.
“And how,” I asked, looking significantly at the two standing nearby, “did they taste?”
“No better than any other chicken,” he said, “but I’d a heap rather eat them than hear them.”
I have tried imagining that the single peacock I see before me is the only one I have, but then one comes to join him; another flies off the roof, four or five crash out of the crêpe-myrtle hedge; from the pond one screams and from the barn I hear the dairyman denouncing another that has got into the cow-feed. My kin are given to such phrases as, “Let’s face it.”
I do not like to let my thoughts linger in morbid channels but there are times when such facts as the price of wire fencing and the price of Startena and the yearly gain in peafowl all run uncontrolled through my head. Lately I have had a recurrent dream: I am five years old and a peacock. A photographer has been sent from New York and a long table is laid in celebration. The meal is to be an exceptional one: myself. I scream, “Help! Help !” and awaken. Then from the pond and the barn and the trees around the house, I hear that chorus of jubilation begin:
I intend to stand firm and let the peacocks multiply, for I am sure that, in the end, the last word will be theirs. ◊
. . .
Pathé footage, as described in first paragraph (via Bill Dawers)